Friday, May 04, 2007
My Backstage Secrets
Thursday, April 19, 2007
Belly Dancing for National Dance Week
One of our Belly Dancing Secrets' subscribers has emailed to let me know what she is doing for National Dance Week. There aren't many belly dancers taking part according to the website, but please post your events on here (by making a comment to this post).
Or join Barbara and her event:
Saturday, April 21 from 1:00 – 2:00
More than a thousand dance studios, solo dancers & dance friends across the country will be unified in celebration together for one hr
Join in!!!!
http://www.nationaldanceweek.org/ lists all National Dance Events
In Tiverton RI - 1 hr from Boston, ½ hr from Providence, ½ hr from Newport, ½ hr from Taunton, Mass, 3 hrs from NYC Barbara http://www.thedancingspirit.com/ of The Dancing Spirit Studio, 1761 Main Rd is hosting
The vision is a parade walk of many colorful dancers, zill players, sword dancers, snake dancers, drummers and musicians walking together, dancing together to celebrate this dance life we all love
call 401 338 9905/ email Barb@thedancingspirit.com for details
“We dance to express the inevitable, fundamental emotions and fully conscious moments of life ”
P.S. Barbara has also been interviewed for an article on American Belly Dancing for the latest issue of New Times Naturally. If you click on the website http://www.newtimesnaturally.com/, click to the left where it says “ download this issue.” At the bottom of the page you can see a place where you can turn the pages. Go to page 25. There is a 3 page article of American Belly Dance.
Monday, March 26, 2007
Egyptian Dance Weekend Follow-up
So, until the next post, feel free to post any questions you might have here (I did workshops in Ghawazee, Saidi & Baladi and Hagla Gypsy...pure magic).
Lisa x
Tuesday, March 13, 2007
Move Over Tito...Here's Ousama!
"Ousama Emam is a teacher and Director of the Kaoumeya Troupe for Egyptian Folklore Dance.
He has represented Egypt in many International Dance Festivals in America, France, Japan, China, and the Arab World just to name a few. Some of the most recent Dance Festivals he has taught in was the Stockholm Belly Dance Festival in Sweden, the Nile Group Festival in Cairo, in Germany at the Stuttgart Festival and the Dusseldorf Festival.
Ousama also has his own dancce group for Folklore dance in Egypt called 'Layali El Sharq' and you can see them perform in boats and Hotels all over Egypt. "
He is a great teacher and has a lot to offer attendees of the workshops, so if you haven't booked your place yet...be quick! (bellywobble.co.uk)
Lisa x
Thursday, March 08, 2007
Belly Dancing Podcast
I've been meaning to start this for some time and then the ideal opportunity arose to kick-start me into action.
The first podcast is an interview with my own belly dance instructor Rosie Mockler and is to help promote the Egyptian Moonlight Tour I have already mentioned in the blog, taking place in Torquay Devon (UK) in two weeks.
However I wanted the information in the podcast to be interesting and valuable to all dancers (not just those in this area of the UK) and so Rosie talks a lot about Egyptian Dance styles, ancient and modern, as well as explaining her own route into performing and teaching.
If you would like to listen to the podcast you can listen online or download the interview at:
http://www.bigcontact.com/bellydancingsecrets (you can also subscribe to the feed by clicking the RSS subscribe button in the right column of this blog).
Or, if you use iTunes, simply search for "belly dancing" or "belly dancing secrets" and subscribe and download it there.
I intend this to be the first of many and will let you know whenever there is a new one, but in the meantime take a listen to my new Belly Dancing Podcast at:
http://www.bigcontact.com/bellydancingsecrets
Bring out your inner goddess!
Lisa
Monday, January 29, 2007
Belly Dancing in Devon Workshops
Saturday 24th March
10am - 1pm - Aida Nour teaching Oriental Sharki
"Don't miss the opportunity to learn Cairo technique with this famous Egyptian star"
10am - 12noon - Tito teaching Ghawazi
"Learn the funky, fun, high energy dance from Upper Egypt"
12.30pm - 3.30pm - Lubna Emam teaching Technique Baladi and Saidi
4pm - 6pm - Aida Nour teaching Folkloric
"Earthy folk where it is your waist not your hips"
1.30pm - 3.30pm - Tito teaching Stick Technique
"Discover the King of the Stick, learn new exciting techniques (bring your own stick)"
4pm - 6pm - Lubna Emam teaching Malaya
"Come and have some fun with one of the great sassy dances of Egypt"
Sunday 25th March
10am - 1pm - Aida Nour teaching Muwashshah Andalousy
"Classic folkloric Egyptian/Turkish Dance"
2pm - 4pm - Tito - Hagala Gypsy
"This gypsy dance from the desert is found in many folkloric dances"
10am - 1pm - Lubna Emam - Oriental
Learn beautiful oriental the Lubna way"
All workshops take place at the Community School, Paignton, and if you book 4 workshops you will get a free ticket for the Friday night show.
This is a great opportunity for Belly Dancers in the South West of England. For more details head over to www.bellywobble.co.uk
Hope to see you there,
Lisa
Thursday, January 25, 2007
Belly Dancing in Devon
Bellywobble.co.uk Presents "Egyptian Moonlight Tour 2007"
Friday 23rd March 2007 - 8pm til 10.30pm at Babbacombe Theatre Torquay
A night of wonderful colourful dance from top Egyptian dancers:
- Aida Nour
- Tito
- Lubna Emam
Also, International Dancer from Egypt/England - Khaled Mahmoud
And National and Local Dancers:
Karine Butchart
Jamila
Rosie Mockler
Jacquie Jamal
Raheesha
Ameera
Anna
Katrina
Come and enjoy a fabulous night of dancing stars. For more details visit www.bellywobble.co.uk or purchase tickets from the Babbacombe Theatre Box Office on 01803 328385
There is also two days of workshops on Saturday 24th and Sunday 25th with Aida Nour, Tito and Lubna Emam - more on those tomorrow....
We'd love to see you there.
Lisa
technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+devon
Saturday, December 30, 2006
Belly Dancing Bloopers
Belly Dancing Bloopers! What Can I Say? If it Could Happen, it Did Happen to Me!
By Leyla Najma Latrimurti
Just about every dancer out there has a blooper story to tell. Bloopers are almost like a right of passage and there are a lot of us out there that are seasoned!
Bloopers can happen for many reasons; like you forgot to check your costume and make sure your snaps and hooks are sewn on tightly. I mean, when you dance every weekend and perform 2 to 4 shows in a night your costumes will start to suffer.
I had ten costumes that I checked and made sure they were ready to dance in. Then, I just started to let the “costume check” slide a little. By appearance my costumes looked good but hidden from the general public were a few pins here and there. And that, my friends, is where the bloopers come to life.
I remember I was dancing for a recreational camp for kids and there had to be at least 200 kids ranging in ages from kindergarten up to teenagers all watching me perform. Before I knew it as I was doing my favorite turn, my back straps broke and there for a few seconds were my breasts bared for everyone to see. The younger kids didn’t quite get what had happened but the older ones did. Fortunately I had my niece with me who pinned my back straps together and I went back out to continue my performance. To my dismay the group leaders were already leading the kids out of the room and only a few stayed to see me finish. I don’t think I helped our community out much at that performance. To my knowledge they haven’t invited any belly dancers back. Moral of the story: Check your snaps and hooks!
Weight fluctuation is another blooper waiting to happen. I learned the hard way that my daughter’s socks are not a good substitution for bra pads. I had lost weight and fixed one costume but not the other. I figured that socks would give me the boost I needed while being hidden from view. So I decided to wear the costume that I didn’t fix first because what did I have to fear, I had my daughters socks. But socks, as I found out, have a mind of their own.
I was dancing for a huge group of diplomats from Iran and our FBI at a local restaurant that I perform at. Everybody was yelling my name and clapping as I came out ready to dance the night away. And that was exactly what I was doing until I noticed a few grins and giggles from the audience. One man pointed to my bra and from my vantage point, my breasts and bra looked fine. But when I did a chest circle there to my horror was my daughter’s sock hanging down my right side. So I did what any professional would do, I pulled it out and threw it. Everybody laughed and applauded and I continued to dance with one big breast and one small breast. After the evening was over and everybody had left I went looking for my daughter’s sock. I couldn’t find it anywhere and even had the wait staff (who were still in hysterics) help me look for it. But it was nowhere to be found. Weeks past and I forgot about the missing sock until the owner of the restaurant told me that my sock was given to the head diplomat as a gift and reminder of his stay here. So whoever took it had it framed and presented it to him. Also to go along with the sock were 5 video cameras that captured the infamous sock rolling down my right side. So moral of this story: bra pads!
Long skirts can be a bloopers' best friend. I like my skirts long because I am short and if my skirts are just a little above my ankles they make me look even shorter. So the bottoms of my skirts get dirty and I have to wash them a lot. I had one particularly long skirt that I just loved. It was separate from my belt and I loved this because than I could mix and match to my hearts content. Well, one evening I wore my favorite skirt for a big dinner party at a nightclub I use to dance at. The family who had the dinner party filled most of the club. They had especially asked for me and I was very honored to dance for them.
So the night began very innocently with me dancing around tables and on chairs. They even put me up on the tables a few times. It’s amazing what your skirt can get caught on. There I was dancing and just finishing up my drum solo when I decided I wanted to end on stage. So I jumped down off the table and began to stroll over to the stage only to realize that my skirt didn’t want to come with me. As my audience tried to get me unstuck my skirt somehow got pulled down and was close to my knees. (Thank God I had on matching underwear). Finally my skirt was pulled free and I gracefully pulled my skirt up and was able to finish the last minute of my show. The family loved the little drama and said that they would remember that night for a long time. The moral of this story: Stay on the stage and don’t dance on tables!
Props can either be friend or foe. Sometimes I really believe my veil, cane or sword is on the side of the bloopers. You know how it is, you practice in the studio or home and everything goes great but as soon as you get out and perform something bizarre happens to your prop. I have often wondered if my props were possessed. It’s amazing how your veil will get caught on your costume or how your cane flies out of your hand. My sword was better behaved but would occasionally act up.
One evening in Fort Worth I was dancing in a very crowded restaurant and I was dancing with my cane. Everybody was enjoying themselves and the owner of the restaurant was sitting at a table not far from our little stage. I was twirling the heck out of my cane when to my surprise the cane flew out of my hand and landed on the restaurant owners lap. The whole restaurant applauded and yelled for more. So I slowly went up to the restaurant owner and asked for my cane and he gave it back to me with an amused look on his face. Fortunately for me my cane music was almost over and I didn’t have to try for another amazing encore with my cane. So the moral of this story: If you mess up with your prop, make it look good!
The last of the bloopers are the hidden kind. You know, the kind that don’t show themselves until you are on stage dancing and then you realize that the stage is uneven or worse you just stepped on something that feels very slimy. And let’s not forget the shrinking stage.
Let’s face it, when we get hired to dance at a party or event, we can’t always check the stage out beforehand. I remember when I was hired for a party and I asked how big was the space where I was dancing and they replied that it was a good-sized space, at least half of a room. So I choreographed a dance accordingly to what I was told. Well, my stage was 4ft by 3ft. and by a raging fire in a fireplace with little kids sitting all around me. My choreography changed immediately and I was amazed that I didn’t pass out from the heat.
The uneven stage is the one blooper that hides itself very well. I have been on stages that looked even but when I danced on them turned me into a lopsided sideshow. I remember at this one restaurant that whenever I would spin that I would slowly but surely spin into a table on the right side of the stage each time. I would stop at that table just before I’d loose it. I finally asked the other dancers if they did the same thing and they all replied yes. Thank God! Who wants to be lopsided alone? The slimy story gives me shivers up my spine so I think I’ll pass on it. Besides I think you can visualize the scenario without me giving you the details.
So these are just a few of my blooper stories. The one thing I realized throughout my 22 years in dance is that even though we all strive for perfection in our dance, the bloopers keep us grounded. Sometimes I think back and have to laugh at the dumb and embarrassing things that have happened to me. If you can laugh at yourself then you have just given yourself a wonderful gift. Laughter keeps us humble and it keeps us healthy. So keep on laughing and keep on dancing!
Leyla Najma of Albuquerque, NM has been performing as a professional Belly Dancer for 22+ years. She offers workshops, private classes and has recently started producing a series of shows called "Cleopatras Courst" as benefits for local organizations. Leyla can be reached at leyla@leyla-najma.com, or http://www.leyla-najma.com
Article Source: http://EzineArticles.com/?expert=Leyla_Najma_Latrimurti
technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+bloopers
Thursday, November 30, 2006
Belly Dancing Gifts
If these don't inspire you, then Cafepress has many other beautiful designs under the Belly Dancing theme, and you can see more by clicking here.
Hope you find that perfect present!
Lisa x
technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+gifts
Sunday, November 26, 2006
Belly Dancing Burnout
Belly Dance Burnout
By Leyla Najma Latrimurti
Much thought has gone into this article regarding belly dance burn out. For most dancers who are just starting out working in restaurants and nightclubs, it is hard to fathom ever getting to a point where you find yourself sitting on the side of the bed trying to talk yourself into getting ready for another show, but in reality it happens and the amazing thing about it is that it isn’t like a virus that just hits you and you can get over it. It is gradual and towards the end of this emotional rollercoaster, you feel like you just can’t get it together to go out and perform for even the most appreciative audience.
Dancers, who experience belly dance burn out, feel like they are unappreciative of their position in their dance community and guilt complex sets in. So let’s talk about this and look at some warning signs before hand so that no dancer has to experience “Belly Dance Burnout”.
Most dancers who are motivated to perform within the 4 to 6 year career spectrum are ready to conquer the world. These are my favorite dancers because nothing gets them down. Most dancers at this level are motivated from an inner core of self confidence. But after awhile life takes a toll on this inner core and self doubt sinks in slowly but surely. Why this happens is a very important question.
No matter how you look at belly dancing, this is an entertainment that effects the life of the dancer which includes, family, friends, coworkers, and even the dog or cat. When you are in this type of dance many things in your life change. The first thing that most women notice is the effect it has on their body image. Belly dancing will show you what is right about your body and it directs you to a path of enlightenment.
ATTITUDE CHANGE.
When we change our attitude, there seems to be one thing that we forget to change with it and that is our perception of the world around us. Perception is very important because it helps you see the difference between the shallow aspects of our dance to the deep and profound experiences. Many dancers forget that attitude can be momentary and fluctuate between having a great show to having an off performance. If your perception and knowledge of your dance are kept equal than your attitude will follow in their footsteps.
EGO CRISIS
Another problem that can create havoc in a dancers world is a crisis of ego. And there seems to be different types. Type number 1 is usually created when a performer doesn’t understand that she must work her way up to performing in different venues. If any position is handed down to her, she won’t have any respect for the venue or herself. Any performer who leaves this situation stressed has to understand that anything handed to them must be acknowledged as a gift and treated with respect. Through trial and error can a true performer understand her place in her community. TYPE 2: happens when performers get accolades early on in their career and forget their humility. We all want to be told we are amazing and incredible dancers but the fact is there are a lot of amazing and incredible dancers out there.
Remember that compliments are a dime a dozen. The point is to dance from humility. Compliments aren’t guaranteed and they won’t always come your way. There will be moments when a dancer performs and finds the audience isn’t watching or interested. Eventually the feeling of “what’s the use” creeps up and there you have the beginning symptom of belly dance burn out. Remember why you started dancing in the first place. Go back to those first moments of enthusiasm that you felt when you first started learning how to dance. In those beginning moments all that mattered was that you were doing what you loved and wanted to do. Center yourself on always being appreciative that you have the chance to perform. Remember you are continually shining your diamond of the dancer with in you. Peoples compliments are just icing on the cake.
TYPE 3: is the dancer who feels she can perform and compete with the best of them even if she has only been dancing a fraction of the time of her contemporaries. Time will usually teach this dancer a lesson by shocking her with an experience she is unprepared for. This experience alone can knock her off her feet. It will make her think twice and hopefully get her back on the path of humility. These types of “Ego Crisis” when experienced for long periods of time can strain the enthusiasm of any performer. Make sure you replace the ego with self confidence.
CHOREOGRAPHY BRAIN FREEZE
This can create repetitive, boring moves. This is one area that all dancers who have been performing for many years experience one time or another. Remember that this is a dance of how you live your life. You bring in your experiences into your dance and that in itself will keep choreography fresh. Self criticism or comparing oneself to another dancer is not healthy and it creates stagnation in the creative process. Remember that there is only one of you in the Universe and what a true blessing you are. Your creativity is already unique because “You” exist. Also remember that you must dance from your own creativity. Becoming someone else’s carbon copy or imitating another dancer may seem like a compliment but it takes away your own creative process. Dancers need to perform from their own place and image. All performers have their own treasure trove of moves. Just look inside yourself.
THE PROFESSIONAL “NO TIME” PROBLEM
Time management is something that effects the professional dancer. First is the fact that many performers dance so much that they forget to practice or don’t make time. Moves get sloppy and repetitive and the dancer’s enthusiasm goes down the drain. As a performer we must honor ourselves and our audience by dancing the best show possible. Training and practicing enhances techniques and they keep all of us in shape not only physically but mentally. Another factor is not having time with family or friends. The dance can to take over the life of the dancer. So the dancer has to make decisions based on what kind of family life she wants to preserve. Performing can also become addictive so make sure that the gigs that you agree to are worth it in time and money. Remember, you can always say “no” to a gig.
THE DEAD AUDIENCE
This definitely does not help in the confidence area. Most people if they are not educated regarding our type of dance, don’t understand what they are watching. And if a performer doesn’t know how to perform in front of different types of audiences, this can be devastating. One way to know what to expect in advance is to find out what kind of venue you may be performing at. It seems simple and rather basic but when dancers perform a lot, certain questions can easily be forgotten. And there are those performances that you know in advance might be questionable. Either way just know that you have to end the performance with confidence knowing you did your best. There are venues where a dancer was incredible and still will get a luke warm response from the audience. Don’t judge yourself by the audiences response. Judge yourself by how you felt inside. Your gut will always tell you the truth.
Remember that second guessing yourself just adds fuel to the fire of self doubt. So here’s a little secret I would like to share with you:All performers have an advantage before they ever get in front of people. This one advantage is the fact that the story they will tell will be one of a kind. This in itself is a miracle. And to remember oneself is a reminder of the miracle that you are and dancing is a way of telling the world about miracles. So when you are feeling the “belly dance burn out” just remember the miracle that you are and the miracles that you need to share.
Many Blessings,
Leyla Najma is a professional Belly Dancer living and working in Albuquerque, New Mexico. Leyla has been performing and teaching for 20+ years and is recognized as one of the top dancers in the state of New Mexico and in the Southwestern United States. Leylas' website is located at http://www.leyla-najma.com
Article Source: http://EzineArticles.com/?expert=Leyla_Najma_Latrimurti
technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+burnout
Thursday, November 09, 2006
Belly Dance Festival
They are now planning next year's 27th festival and are open for performance applications. Deadline is January 31st 2007. You can find out more and get an application form here:
http://www.kismetdance.com/belly-dance-festival/perf-registration.htm
2007 Festival will be August 17-18, 2007 at the Utah Cultural Celebration Center, 1355 West 3100 South, West Valley City - Friday, August 17 Noon-10 pm and Saturday, August 18 Noon-10 pm.
Lisa x
technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+festival
Tuesday, October 31, 2006
Goddess Dancing to the Drummer's Hands and Heartbeat
lovely tall ceilings that go on and on,
a large wonderful wooden dance floor
round white tables for 100
– the smell of chocolate ,oysters and excitement filled the air………………..
They were expecting
Just a belly dancer
but they watched
a goddess dancing
to the rhythms of a drummers hands and heart beat
The very dramatic moody music began ……………………………….
The handsome man in a red crisp shirt and suede vest came on stage alone to gracefully set up his drums and two chairs. Putting the gold dancing cane in place, he strategically wrapped the long bright red silk veil around his neck, placing it where it could later be slowly, gracefully pulled off. Then he took his place in his chair, on stage, where he sat smiling at the audience with an inviting and knowledgeable smile of what was to come.
The “grand entrance theme began”.
With light, sizzling energy and grace she appeared to circle the large, grand dance floor in the romantic glamour of days gone by
Her black floor length velvet cape flowing behind, red skirt flirting from beneath
She caught everyone’s one’s eyes, smiling brightly to them and to herself .She filled up the space twirling and twirling, long hair flowing around her
She was completely and freely dancing to the music ,filling every nuance with her dancing soul - revealing, concealing, manipulating the cape to the big music until it was time to dance free of the cape
He assisted her transformation from black cape to red wings
Beneath her cape, bedecked like a goddess from Olympus, was revealed her shimmering lipstick red and gold costume
Chest in molded, lifted, glittering cups, hips wrapped securely and beautifully so each movement was accented to the fullest, muscular but womanly arms, wrapped in glittering bands, smooth white abdomen and back , contrasting against the bright red, legs swathed in gossamer red flowing skirts , like the wings and on her head a matching crown securely fastened on long tresses
The man put a stick in each of her hands for the next dance,“ Wings of Isis” .Her hips never missed a rhythm of the music
The sheer, shimmering, flowing red wings, fully expanded out from her body, lifted fully with strong percussive movements, filled with air and light. Step by step, hip by hip she moved towards the audience, shimmering ,breathing, reaching always higher to fill the music ,to fly up and up away .Around the dance floor she flew the wings ,side to side, in figure 8’s, posing, framing her torso with pride and dignity.Always lifting higher, never missing a beat with each step. Turning wildly, engulfing herself in wings to create a tornado, slowly unfurling again to turn and turn and turn, faster and faster, spinning with complete abandon………….until the music changed and again it was time to remove and free her body again from an expressive dancing image
He was waiting to help her transform again
She stood in front of him, close to his body, looking into his eyes, waiting for the next rhythm to take over.
He lifted her wings slowly off her neck, behind her. She waited while he slowly lifted the wings above her head to the showed rhythms of the next song.
She was shrouded in a framing veil of wings, between him and the wings
Very slowly to the heart beat of the music her arms and hands only, began the sensual mesmerizing dance, from behind the wings – strong, soft, magical, fluid, boneless flow of fingers, hands, elbows, shoulders and hands created from hours, hours, hours , years of practice – beautiful,flowing,detached,boneless,round, circular fluidity like a snake, like a flower unfurling its petals.
Pulling back from him, their eyes connected, she pulled away through the shroud of the gossamer wings. The fluidity moved out toward the audience, her back to them, they watched her energy move down to the floor through her spine, hips, legs, feet and back up again, through her abdomen, up her chest to her neck and shoulders and finally to her face and eyes. Turning towards them she now she watched the audience, watching her flowing fluidly to every heart beat of the music with her soul.
Dancing back to him again, flowing back to him, circling like a bird to find the edge of the long, red silk veil. Smiling knowingly, their eyes connected with a smile , she slowly pulled the veil off his body towards her, taking his energy into her dance with the veil, lifting the silk, filling it with air, flowing it around herself, in and around framing her every movement, losing herself ,lost in the silky brightness ,never stopping, motion forever in flow…………..until the music changed again
He was watching her She wrapped the veil around his shoulders once more and this time he gave her a gold cane to dance with.
The gold cane.
The symbol in the dance of mischievous power – a way for the girls to poke fun and flirt with the boys – a daring ultra earthy, feminine rhythm of joy, eternal youth, of down beats, up beats,of hitting the ground so hard with one end of the cane , as if to say “ I am here – see me – I can do this and that and everything – I can do this and not hurt anyone – I can laugh and smile for just the fun of it and I am completely free to be myself and to dance my dance – why not come dance with me?????? Clap for me – hear those happy rhythms and if not? ok then – watch me dance and be so happy with my cane – very jaunty, jaunty, jaunty and happy until…………the music changed again
He then took the cane with a smile she became the drum for the “ hot drum solo”
The drum solo
The culmination – the heat, the hot, following the loud definite drum pounding rhythm with body parts and soul parts – shuddering and shimmering with practiced control and delight – following the definite rhythmical phrases, repeated again &
Again and then slightly changed – the dancer following each beat with her body parts as they are played – on and on until the rhythm gets faster and faster and faster and faster when there is a final explosion and end!!! Like lightening or thunder. This is the end of the fully orchestrated music which leads to a grand finale.
While she once again swirls the dance floor, smiling to them and to herself, gathering them in her shininess, she exits
Swirling and glistening from the space and leaves him on the dance floor for the drumming of his heart beat and soul
…………………………………………….
He smiles now at the audience and to himself. Slowly he begins to remove his vest. He pulls his shirt tails up and removes
his shirt off completely to reveal taught, tanned, sinewy muscles, subtly tattooed arms and smiles broadly . He is ready to share his story now.He stands behind the wooden stand that holds his steady life partner, the jembe. He breathes deeply, smiling all the while, eyes glistening with excitement, energy cursing through his legs and arms and fingers as he begins to play his rhythms – rhythms he has practiced for so many hours time ran away into the next day,rhythms he learned from many world teachers, rhythms that have made him feel alive, rhythms that gave him hope, that made him friends, that took him on surprising voyages around the world and within himself , magical healing rhythms of the heart and spirit – his rhythms – their rhythms
Slow at first, consistent rhythmical pounding, then phrases – recognizable and then pauses into different phrasing
He calls to the audience – come dance to my rhythms – break out into your bodies, feel my rhythms and they do – dancing and dancing and he is drumming and drumming……………………….he drums them into a frenzy, then he brings them down to a gentle
song and takes them up again……………………..until he says “Now you must leave the dance floor for “ she “ is coming back to dance for you and for me, with me, one more time
He changes from the African jembe to the Middle Eastern dumbek
The dumbek calls
Her zills respond
The dancer and the drummer
She reappears dancing under a black netted veil – mysterious, tantalizing, shimmering , red gold under netted black dancing with the zills – playing to his rhythms – he brings her out to the audience again –
she stops, he stops, he plays, she plays –
they flirt with the rhythms together –
all in play –
is it her? Is it him?
– they are watching and listening –
he watches her feet and hips –
she listens to his beats and sees his smile
…………………Slowly the netting is freed loose and is flowing around her – the netting is different than the silk – it isn’t soft – it doesn’t float in the air – filled with air – it is stiff and electric and mysterious in a different way – off it flies around her in space and lands now
at the drummers feet –
She swirls around him; they smile knowingly at each other
His rhythms change to the waves of the ocean, the waves rolling over and over – up up, down down, smooth, round, undulating, appearing, disappearing
pushing the seaweed from side to side, to and fro
………………she descends to the floor, elegantly, moving her torso this way and that, moving her hips in circles and spirals and figure 8’s over knees and thighs,
She offers her back to the audience, they see the rhythms with her shoulders, her back muscles, her hair adding to the motion – she stares up at him from the floor and they have their wordless conversation across the dance floor………
.she turns forward again to the audience, rolling the waves, smiling to them as they watch her, smiling to herself because she feels so free, so in love with the rhythms ,the movement ,the dance……………………………..
Slowly the drummer bring her up to her feet and she hears the break –
1 break, 2, 3…………..she rushes to him for the red silk veil one more time 4 –
the beginning of their drum solo!........
She dances with a new gusto, with everything in her
With happy familiarity to the steps and rhythms which they both know by heart,
rehearsed and rehearsed over and over again ……………
.the 8’s, the 4’s, into the 3’s – harder transition – the 16 count shimmies – 8 times – what joy –
4 banged out, the 4’s and 1…….,1…….,1…….,1……. Arms and veil swirling in passion,
4 bangs,4 more bangs, back into the waves –
and then they are both free again from form rehearsed –
dancing and drumming freely until she/ he – they feel the end coming…………………
….. he breaks again 1,2,3,4!!!
She has 4 8’s for the culmination –
they both hit it together –
explosion………………..
the end …………………….
They were expecting just
a belly dancer
But they watched
A goddess dancing
To the rhythms of a drummers
Hands and heart beat
Written with love by Barbara, The Dancing Spirit
In honor of all the dancers who danced before, now and through all of time
And for all the rhythms of the drummer hands and heart beats
www.thedancingspirit.com
Monday, October 16, 2006
Belly Dancing Book Released
http://www.bellydancingsecrets.com/oriental-dance.html
There has been some confusion over the package, so just to re-iterate that it is a digital product only at the moment. To find out what that means and why that is a good thing in terms of cost and accessibility, visit:
http://www.bellydancingsecrets.com/what-is-an-ebook.html
The winner of our launch competition was Lunya from Canada, and she receives the signed BDSS goodies, plus she chose the Bellydance Superstars in Paris at the Folies Bergeres for her dvd. Congrats Lunya.
Don't forget the launch special ends at midnight on Thursday 19th October.
Any further questions - post them below.
Bring out your inner goddess!
Lisa x
technorati tags:belly+dancing+book, belly+dance+book, bellydance+book, bellydancing+book, oriental+dance, oriental+dance+book, bdss, bellydance+superstars
Tuesday, October 10, 2006
Make Your Own Belly Dance Costumes
In "Oriental Dance: Discovering The Art of Belly Dancing" there is a whole chapter dedicated to the costumes of the different styles of Belly Dance. And, as a result of your interest in creating costumes, I have added a section to the Resources chapter of the book.
I have searched out the location of 28 different free costume patterns on the internet so you can create you own beautiful dance costumes. The patterns include veils, costume bras, cholis, harem pants, Tribal skirts, Beladi Dress, Caftan, Ghawazee Coat, and many more...
They should keep your creative juices flowing for a long time to come!
What about the rest of the Resources chapter?
- The best places to find Belly Dancing music, costumes (to buy), musical instruments, accessories, gifts and even "fun stuff" on the internet
- A list of recommended instructional dvds for belly dancers of different abilities
- Belly dancing magazines from around the world, for those who want to further their belly dancing knowledge on a regular basis. Includes magazines for those who are specifically interested in certain styles of dance.
http://www.bellydancingsecrets.com/oriental-dance.html
Bring out your inner goddess!
Lisa
technorati tags:belly+dancing+book, belly+dance+book, bellydance+book, bellydancing+book, oriental+dance, oriental+dance+book, belly+dance+costumes, bellydance+costumes
Friday, October 06, 2006
Answers to Your Questions About "Oriental Dance"
Feel free to post your own comments and any further questions here on the blog.
First of all, there was a 50/50 split between people who wanted to know more about belly dance moves and those who wanted to know about Belly Dancing origins.
While I would love to eventually create instructional material, this particular package is for the latter.
Q.1. What does "Oriental Dance: Discovering the Art of Belly Dancing" cover?
Ans: I wrote the book to help Belly Dance enthusiasts like myself learn about the history, origins, styles, costumes and music of belly dancing. It was a complete voyage of discovery for me that I can barely touch upon in the Belly Dancing Secrets' newsletter.
There is also a whole chapter on Male Belly Dancing, which is something few people know much about but is a vital aspect of the dance's history.
Oh, and it's illustrated throughout with some fab color photos!
Q.2. Why a package and not just the book?
Ans: Simple Answer? I got carried away!
When I started this project at the end of 2005, I had no idea how detailed this would become, and how carried away I would be by it. Belly dancing is addictive! Not just the dancing of it, but learning about its past and customs...and talking to other Belly Dancers about it.
The book led onto other things like audio interviews, creating a good resource guide, and recording the book into an audio version.
Q.3. Why have you chosen 12th October to launch it. Is it significant?
Ans: Two reasons.
First of all, I have been working on this project for 10 months now and needed to set a date to release it, otherwise it might never have happened! I could have worked on this for the next 10 years, but what's the point if nobody ever sees it?
Secondly, the date is significant because it's my birthday! I thought, what better way to celebrate my birthday than to release the project that has taken up most of my last year? And it gives me a good excuse to add some great gifts to the package so you can celebrate with me.
I am even going to set the launch time to coincide with approximately the time I appeared in this world XX years ago! That means the launch will officially be at 5pm (UK time) which is Midday (EDT), 9am (PDT), 6pm (Egyptian time) and 3am (of the 13th in the Solomon Islands - OK, now I'm getting silly).
Q.4. Why have you provided "Oriental Dance: Discovering the Art of Belly Dancing" in both written and audio format?
Ans: I chose to do it this way because both versions can offer something different.
The eBook format is ideal for including fab color pictures of belly dancers, musical instruments and costumes, and it means that I can include "clickable" links to related websites - especially useful in the Resource Section.
I am a voice artist by profession, so recording an audio version was always at the back of my mind. Many people don't like reading and prefer to listen to narrated books instead (which are also easy to download to an mp3 player or "burn" to a CD to listen to "on the move").
Plus, you can't put music in an eBook. I have found some lovely pieces of music to add to the audio version and it would be a shame if you missed out on them (especially a piece that illustrates the use of the most common instruments used in traditional belly dancing music).
That's all for now. Post any further comments and questions below. I'll have more for you in the next few days.
Bring our your inner goddess!
Lisa
P.S. If you haven't signed up for the launch emails and the chance to win some great Belly Dancing goodies, head over to:
http://www.bellydancingsecrets.com/prenotification.html
technorati tags:belly+dancing+book, belly+dance+book, bellydance+book, bellydancing+book, oriental+dance, oriental+dance+book, bdss, bellydance+superstars
Wednesday, October 04, 2006
My Belly Dancing eBook
To join the pre-notification list and find out more on what you can expect from "Belly Dancing Secrets Volume I" please fill in your details below.
Belly Dancing Secrets Prenotifcation
My Belly Dancing eBook "Oriental Dance: Discovering the Art of Belly Dancing" is finished and I'm going to release it next week, plus a whole bunch of extras (I got carried away)!
I'll be letting you know more about it in this blog and you can post your questions and comments. But if you would like to be on the pre-notification list and be in with a chance of winning some BDSS goodies, head over to the website and sign up:
http://www.bellydancingsecrets.com/prenotification.html
I'm looking forward to sharing more with you (actually, I'm so excited I'm practically peeing my pants - is that just a bit too much info for you?).
Bring out your inner goddess,
Lisa
technorati tags:belly+dancing+book, belly+dance+book, bellydance+book, bellydancing+book, oriental+dance, oriental+dance+book, bdss, bellydance+superstars
Tuesday, September 19, 2006
Free Belly Dancing Music
I received an email this morning from the Belly Dance Superstars website. There is a new feature on there called "The Casbah After Dark" which is a new Abarbic radio station (created by Miles Copeland). So if you love listening to Arabic music take a look at:
http://www.milescopeland.net/bellydance/radio/
Enjoy!
Lisa
technorati tags:belly+dancing+music, belly+dance+music, bellydance+music, bellydancing+music, arabic+music
Saturday, September 16, 2006
Belly Dancing Photos
She is also a featured photographer in the bellydance community and events such as Burning Man."In photography, I've found a way to make people happy... besides the creativity, this is what I love most about it. The feedback seems to tell me that I make people feel better about themselves, love each other more... If this is my life work, I accept it."
I found this article about photographer Pixie, who loves to photograph belly dancers. Her site link is below and features some really lovely shots. Take a look around her site to see what I mean:
http://www.pixievisionproductions.com/
Lisa x
technorati tags:bellydance, bellydancing, belly+dance, belly+dancing, belly+dancers, belly+dancer+photos, belly+dancing+photos, belly+dance+photos, bellydance+photos
Friday, September 08, 2006
Belly Dancing Views
He went on to tell the young woman that the belly dancing style comes from cheap and defective cultures, and that the body movements make it look cheap and expose modest body parts.
Belly dancing forbidden even in full dress - Culture from Israel, Ynetnews
A very sad article on the comments made by a Jewish Rabbi on Belly Dancing.
Lisa
technorati tags:belly+dancing, bellydancing, belly+dance, bellydance, jewish+belly+dancing
Monday, September 04, 2006
Belly Dancing Popularity in the UK
Over the past few years more and more women in the UK have been trying belly dancing as a fun way to exercise. Part of the popularity is due to the dance troupe Belly dance Superstars who toured the UK recently with their wonderful show.What makes belly dance such a good workout is that it exercises all parts of the body; arms, legs, waist, spine and buttocks. It is also great for the pelvic floor muscles- the London Birthing Centre use belly dance moves in their antenatal classes.
Home - Suffolk belly dance, belly dance exercise
Good to see that Belly Dancing is becoming more popular in the UK, although I think it was already pretty hot over here before the BDSS.
Lisa x
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technorati tags:belly+dancing, belly+dance, bellydance, bellydancing, belly+dancing+uk, belly+dance+superstars, bdss